Elaboration of Batik Pattern Design Application in Indonesia

Rizky Dinata; Zhang Fan

doi:10.22441/ihasj.2019.v2i2.06

Elaboration of Batik Pattern Design Application in Indonesia

Rizky Dinata, Zhang Fan

Abstract

Batik is cultural expression that contains symbolic meaning of philosophy and high aesthetic value for Indonesian people. The unique method makes Batik represent Indonesian unique character. As it application expanding, unfortunately modernization has brought incorrect interpretation about history existence of Batik design and application, it leads to a major problem in philosophy meaning and design innovation of modern Batik. Most of previous researcher only focus on the technique to preserve the method in producing Batik. Focusing in Batik motif and pattern design is required. By formulating a good structural connection from the philosophy of an object and its symbolic meaning, this paper will discuss Batik motif and pattern design which suitable for modern design application. This paper offering a comparative study of three category of development which applied philosophy, contemporary style and basic design principle approach to design a modern batik pattern. New improvement on designing a new modern Batik motif design are essential to applied on innovative product which contain a good philosophy in order to create a strong and consistent message to the target market. So it can brought Batik to the modernization and international market with the high appreciation to Indonesian traditional culture.

Full Text:

PDF

References

Anas, B., Hasanudin, Panggabean, R., dan Sunarya, Y. (1997) : Indonesia Indah Buku ke-8, Batik, Jakarta: Yayasan Harapan Kita – BP3 Taman Mini Indonesia Indah, Perum Percetakan Negara RI, cetakan I

As, I. S. B. (2015). ESTETIKA ISEN-ISEN BATIK TATI SUROYO. Jurnal Desain, 1(02), 78-87.

Darmaputri, G. L. (2015). Representasi identitas kultural dalam symbol-simbol pada batik tradisional dan kontemporer: Studi Semiotika Fashion pada Batik.

Dalijo, D. (1983). Pengenalan Ragam Hias Jawa.

Doellah, S. (2002). Batik, the impact of time and environment. Danar Hadi.

Dora, P. E., & Poetiray, M. S. G. In the introduction and development of local culture values.

Efianingrum, A. (2011). Batik sebagai Sarana Peneguhan Identitas Lokal dan Karakter Bangsa. In Proceeding Seminar Batik (Vol. 2011, pp. 1-17).

Evans, P., & Thomas, M. A. (2012). Exploring the elements of design.

Fraser-Lu, Sylvia (1986). Indonesian Batik: process, petterns, and places. Oxford University Press, Singapore.

Gong, J. (2008). Chinese Traditional Folk Pattern and Modern Graphic Design. Asian Social Science, 4(2), 65.

[Gustami, SP. (2008). Nukilan Seni Ornamen Indonesia. Yogyakarta: Jurusan Kriya Fakultas Seni Rupa Institut Seni Indonesia Yogyakarta.

Hariadi, Y., Lukman, M., & Destiarmand, A. H. (2013). Batik Fractal: Marriage of Art and Science. Journal of Visual Art and Design, 4(1), 84-93.

Hai-yan, F. A. N., & Chen, B. A. I. (2010). Study on the traditional pattern in modern design [J]. Journal of Shaanxi University of Science & Technology (Natural Science Edition), 3, 041.

Indrojarwo, B. T. (2008). Development of Indonesia New Batik Design by Exploration and Exploitation of Recent Context.

Kerlogue, F., & Zanettini, F. (2004). Batik: design, style & history. London: Thames & Hudson.

Popovic, V. (2002). Activity and designing pleasurable interaction with everyday artifacts. In Pleasure with products: Beyond usability. CRC Press.

Qiang-ling, H. U. A. N. G. (2007). Research on the Influence of Chinese Traditional Arts on the Aesthetic Judgment of Modern Packaging Design [J]. Packaging Engineering, 2, 065.

Qing, W. U. (2015). Traditional Chinese culture in modern Product Design. Canadian Social Science, 11(10), 32-39.

Riyanto, D. (1993). The process of Batik and Batik printing (Proses Batik: Batik Tulis, Batik Cap, Batik Printing). Solo: CV. Aneka.

Raharjo, T., Kusumawati, T., & Widodo, S. T. (2014). Creative Batik Motif Design Based on Local Cultural Art and Natural Environments. China-USA Business Review, 13(1).

Saksono, W. W. (2010). Peranan Go Tik Swan Hardjonagoro dalam Mengembangkan Batik di Surakarta 1955-1964 (Doctoral dissertation, Universitas Sebelas Maret).

Sunarya, Y. Y. (2016). Identity of Indonesia textile craft: Classic to modern batik. Chapter of Asia Craft-Tech Korea ACC Book 2016.

Sutanto. (1984). Ornaments knowledge (Pengetahuan Ornamen). Jakarta: Ministry of Education and Culture.

Tassilo, A. (1935). The Art of Batik in Java. New York: The Needle and Bobbin Club.

Tirta, I. (2005). Quo Vadis Batik Indonesia. Temu Usaha IKM Batik Nusantara, Direktorat Industri Sandang IKM Depperin Cirebon.

Tirta, I. (1985). Simbolisme dalam Corak dan Warna Batik. Dalam Bonus Femina, 12, 107-108.

Wardani, L. K., & Sitinjak, R. H. I. (2014). Batik and Its Implementation in Art and Design (Doctoral dissertation, Petra Christian University).

WEB REFERENCE

Anggia Putri, Y. (2016). Amaragita: Ketika Batik Bertemu Robot. Retrieved January 16, 2017, from http://ohelterskelter.com/amaragita-ketika-batik-bertemu-robot/

Azzahra, H. (2015). (1) Euforia Batik: Perayaan Batik sebagai Budaya Populer. Retrieved December 16, 2016, from http://www.kompasiana.com/haniazzahra/euforia-batik-perayaan-batik-sebagai-budaya-populer_551895b3a33311b906b66904

Barrkman, J. (2008). Brahma Tirta Sari. Retrieved January 17, 2017, from https://www.brahmatirtasari.org/articles.html

BatikKomar.com. (2015). Terms of Batik – Rumah Batik Komar. Retrieved January 22, 2017, from http://batik-komar.com/about-batik/kamus-dan-istilah-2/

Ciandarijogja.blogspot.co.id. (2017). CIANDARI Batik Aplikasi. Retrieved May 19, 2017, from http://ciandarijogja.blogspot.co.id/

Dewi, F. (2016). Amaragita Batik (@amaragita) • Instagram photos and videos. Retrieved May 19, 2017, from https://www.instagram.com/amaragita/?hl=en

Diananto, W. (2016). Kisah Faramita Dewi Mendobrak

Pakem Batik dan Membawanya ke Etalase Mal Papan Atas - Hobi | Aura Online: Media Wanita, Kaya Informasi, Sarat Informasi. Retrieved March 16, 2017, from http://aura.tabloidbintang.com/articles/hobi/49715-kisah-faramita-dewi-mendobrak-pakem-batik-dan-membawanya-ke-etalase-mal-papan-atas

Kemala Sari, I. (2015). Chitra Subyakto & Populo Batik, Modernisasi Motif Batik Tanpa Lupakan Pakem. Retrieved February 16, 2017, from http://wolipop.detik.com/read/2015/10/02/115119/3033925/233/chitra-subyakto--populo-batik-modernisasi-motif-batik-tanpa-lupakan-pakem

Kesolo.com. (2016). Motif Batik Parang, Ini Makna dan Jenisnya. Retrieved January 16, 2017, from http://kesolo.com/motif-batik-parang-ini-makna-dan-jenisnya/

Mueller, M. M. (2013). The Role of in Shaping Cultural Identity : Marc Marius Mueller – Thesis. Retrieved February 20, 2017, from http://thesis.marcmariusmueller.com/the-role-of-graphic-design-in-shaping-cultural-identity/

Sunjaya, M. (2015). Home - Tulisan - Print Edition. Retrieved May 19, 2017, from http://tulisan.com/id/

Winotosastro, H. (2010). Home: Batik Winotosastro: Traditional Batik: Indonesian Batik Fabric. Retrieved February 16, 2017, from http://www.winotosastro.com/batik/

Yosefina, G. (2016). Designer Interview: Iwan Tirta’s Era Soekamto & Johannes Bima | DA MAN Magazine. Retrieved February 18, 2017, from http://daman.co.id/designer-interview-iwan-tirtas-era-soekamto-johannes-bima/

DOI: http://dx.doi.org/10.22441/ihasj.2019.v2i2.06